A cutting‑edge media history on a perennially fascinating topic, which attempts to answer the crucial question: Who is in charge, the servant or the master?
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A PERFECT PLAN FOR THE PERFECT SCORE Score-Raising Features Include: •2 full-length practice exams •Hundreds of exercises with thorough answer explanations •Comprehensive overview of the AP European History exam format •Practice questions that reflect multiple-choice, short-answer, document-based, and long-essay question types, just like the ones you will see on test day •A section on the Ways Historians Think, including Putting Information in Context and Arguing from Evidence •Proven strategies specific to each section of the test FREE AP Planner app that delivers a customizable study schedule for tests in the book, and extra practice questions to your mobile devices (see the last page of the books for details) The 5-Step Plan: Step 1: Set up your study plan with three model schedules Step 2: Determine your readiness with an AP-style Diagnostic Exam Step 3: Develop the strategies that will give you the edge on test day Step 4: Review the terms and concepts you need to achieve your highest score Step 5: Build your confidence with full-length practice exams
Mr. Maybury presents an idea-based explanation of the Second World War. He focuses on events in the Second World War and how our misunderstanding of this war led to America s subsequent wars, including the Korean and Vietnam Wars, the Iraq-Kuwait War, and the "war on terrorism" that began September 11, 2001.
An authoritative overview of the developing field of public history reflecting theory and practice around the globe This unique reference guides readers through this relatively new field of historical inquiry, exploring the varieties and forms of public history, its relationship with popular history, and the ways in which the field has evolved internationally over the past thirty years. Comprised of thirty-four essays written by a group of leading international scholars and public history practitioners, the work not only introduces readers to the latest scholarly academic research, but also to the practice and pedagogy of public history. It pays equal attention to the emergence of public history as a distinct field of historical inquiry in North America, the importance of popular history and ‘history from below’ in Europe and European colonial-settler states, and forms of historical consciousness in non-Western countries and peoples. It also provides a timely guide to the state of the discipline, and offers an innovative and unprecedented engagement with methodological and theoretical problems associated with public history.
From the cucking stool to the iron maiden, an exhaustive catalog of the implements and methods used to torment prisoners in the Middle Ages.
In the history of brain research, the prospect of visualizing brain processes has continually awakened great expectations. In this study, Cornelius Borck focuses on a recording technique developed by the German physiologist Hans Berger to register electric brain currents; a technique that was expected to allow the brain to write in its own language, and which would reveal the way the brain worked. Borck traces the numerous contradictory interpretations of electroencephalography, from Berger’s experiments and his publication of the first human EEG in 1929, to its international proliferation and consolidation as a clinical diagnostic method in the mid-twentieth century. Borck's thesis is that the language of the brain takes on specific contours depending on the local investigative cultures, from whose conflicting views emerged a new scientific object: the electric brain.
The organization "Genocide Watch" estimates that 100 million civilians around the globe have lost their lives as a result of genocide in only the past sixty years. Over the same period, the visual arts - in the form of documentary footage - has aided international efforts to document genocide and prosecute those responsible. However, this book argues that fictional representation occupies an equally important and problematic place in the process of shaping minds on the subject. Edited by two of the leading experts in the field, The History of Genocide in Cinema analyzes fictional and semi-fictional portrayals of genocide. It focuses on, amongst others, the repression of indigenous populations in Australia, the genocide of Native Americans in the 19th century, the Herero genocide, Armenia, the Holodomor (Stalin's policy of starvation in Ukraine), the Nazi Holocaust, Nanking, and Darfur. Comprehensive and unique in its focus on fiction films, as opposed to documentaries, The History of Genocide in Cinema is an essential resource for students and researchers in the fields of cultural history, holocaust studies, and the history of film.
Located on the eastern periphery of the historical Muslim world, as a political entity Indonesia is barely a century old. Yet with close to a quarter of a billion followers of Islam it is now the largest and most populous Muslim country in the world. As the greatest political power in Southeast Asia, and a growing player on the world scene, Indonesia presents itself as a bridge country between Asia, the wider Muslim world and the West. In this survey Carool Kersten presents the Islamisation of Indonesia from the first evidence of the acceptance of Islam by indigenous peoples in the late thirteenth century until the present day. He provides comprehensive insight into the different roles played by Islam in Indonesia throughout history, including the importance of Indian Ocean networks for connecting Indonesians with the wider Islamic world, the religion's role as a means of resistance and tool for nation building, and postcolonial attempts to forge an 'Indonesian Islam'.
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.
Japan's surprise attack on Pearl Harbor in 1941 was the beginning of the United States' battle with Japan during World War II. In the months following the attack, Japan was successful in a series of victories throughout Southeast Asia and the Western Pacific. Then, from May 1942 to October 1943, the Japanese and the United States engaged in a series of fierce clashes in the Southwest Pacific. Both the U.S. and Japanese forces were evenly matched, and their troops fought one another to exhaustion.
The idea of the Cold War as a propaganda contest as opposed to a military conflict is being increasingly accepted. This has led to a re-evaluation of the relationship between economic policies, political agendas and cultural activities in Western Europe post 1945. This book provides an important cross-section of case studies that highlight the connections between overt/covert activities and cultural/political agendas during the early Cold War. It therefore provides a valuable bridge between diplomatic and intelligence research and represents an important contribution towards our understanding of the significance and consequences of this linkage for the shaping of post-war democratic societies.
Whaam! Roy Lichtenstein - architect of Pop art, connoisseur of the comic strip, master of irony and prophet of popular culture. From exhilarating images of ice-cool jet pilots in dog fights, to blue-haired Barbie dolls drowning in scenes of domestic heartache, Lichtenstein's instantly recognisable paintings, with their Ben-Day dots and witty one-liners, defined the art of a generation. But how did a jobbing, unassuming painter of the Fifties become a world-famous Pop artist whose work today sells for millions? What do his paintings really tell us? And what is his legacy? This book, which can be read in two hours or less, is a perfect introduction to the artist and his work. Spanning Lichtenstein's career, and explaining his unique style, it is a journey through the life of one of the twentieth century's greatest artists.
"By the will of fate I came to play a part in not letting Hitler achieve his final goal of disappearing and turning into a myth… I managed to prevent Stalin’s dark and murky ambition from taking root – his desire to hide from the world that we had found Hitler’s corpse" - Elena Rzhevskaya "A telling reminder of the jealousy and rivalries that split the Allies even in their hour of victory, and foreshadowed the Cold War"- Tom Parfitt, The Guardian On May 2,1945, Red Army soldiers broke into Hitler’s bunker. Rzhevskaya, a young military interpreter, was with them. Almost accidentally the Soviet military found the charred remains of Hitler and Eva Braun. They also found key documents: Bormann's notes, the diaries of Goebbels and letters of Magda Goebbels. Rzhevskaya was entrusted with the proof of the Hitler’s death: his teeth wrenched from his corpse by a pathologist hours earlier. The teeth were given to Rzhevskaya because they believed male agents were more likely to get drunk on Victory Day, blurt out the secret and lose the evidence. She interrogated Hitler's dentist's assistant who confirmed the teeth were his. Elena’s role as an interpreter allowed her to forge a link between the Soviet troops and the Germans. She also witnessed the civilian tragedy perpetrated by the Soviets. The book includes her diary material and later additions, including conversations with Zhukov, letters of pathologist Shkaravsky, who led the autopsy, and a new Preface written by Rzhevskaya for the English language edition. Rzhevskaya writes about the key historical events and everyday life in her own inimitable style. She talks in depth of human suffering, of bittersweet victory, of an author's responsibility, of strange laws of memory and unresolved feeling of guilt.
Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte für Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century music which was later further developed by Gustav Leonhardt, Nikolaus Harnoncourt and their students. Peter Watchorn provides an engaging study of this pioneer, and argues that Isolde Ahlgrimm's contribution to the harpsichord and fortepiano revival was pivotal, and that her use of period instruments and the inspiration she instilled in younger musicians, including Nikolaus Harnoncourt and Gustav Leonhardt, has been almost entirely overlooked by the wider musical world.
Robert Recorde was the first person to write an original book on arithmetic in English, rather than in the then-standard Latin or Greek―and thus the first to write about math in a way that ordinary people could understand. He was, in effect, the first mathematics teacher in the English-speaking world. This biography, which provides a comprehensive overview of Recorde’s life and work, traces the major influences on his study and his writing and charts his contribution to the development of mathematical and scientific thinking in Europe.
Harvey Milk—eloquent, charismatic, and a smart-aleck—was elected to the San Francisco Board of Supervisors in 1977, but he had not even served a full year in office when he was shot by a homophobic fellow supervisor. Milk’s assassination at the age of forty-eight made him the most famous gay man in modern history; twenty years later Time magazine included him on its list of the hundred most influential individuals of the twentieth century. Before finding his calling as a politician, however, Harvey variously tried being a schoolteacher, a securities analyst on Wall Street, a supporter of Barry Goldwater, a Broadway theater assistant, a bead-wearing hippie, the operator of a camera store and organizer of the local business community in San Francisco. He rejected Judaism as a religion, but he was deeply influenced by the cultural values of his Jewish upbringing and his understanding of anti-Semitism and the Holocaust. His early influences and his many personal and professional experiences finally came together when he decided to run for elective office as the forceful champion of gays, racial minorities, women, working people, the disabled, and senior citizens. In his last five years, he focused all of his tremendous energy on becoming a successful public figure with a distinct political voice.
A new biography of the seminal twentieth-century historian and thinker who pioneered the study of Jewish mysticism and profoundly influenced the Zionist movement Gershom Scholem (1897–1982) was perhaps the foremost Jewish intellectual of the twentieth century. Pioneering the study of Jewish mysticism as a legitimate academic discipline, he overturned the rationalist bias of his predecessors and revealed an extraordinary world of myth and messianism. In his youth, he rebelled against the assimilationist culture of his parents and embraced Zionism as the vehicle for the renewal of Judaism in a secular age. He moved to Palestine in 1923 and participated in the creation of the Hebrew University, where he was a towering figure for nearly seventy years. David Biale traces Scholem’s tumultuous life of political activism and cultural criticism, including his falling-out with Hannah Arendt over the Eichmann trial. Mining a rich trove of diaries, letters, and other writings, Biale shows that his subject’s inner life illuminates his most important writings. Scholem emerges as a passionately engaged man of his times—a period that encompassed two world wars, the rise of Nazism, and the Holocaust.
Following his success on the racetrack, Frankie Dettori teamed up with acclaimed chef Marco Pierre White to open a chain of restaurants that contain a special mix of delicious decadence and simple home cooking. Collected here are the restaurant’s top dishes as well as Dettori family favorites and Italian kitchen secrets. Recipes range from rich soups, appetizers, and salads to such hearty main courses as bucatini pasta with grey mullet roe; lobster and scampi risotto; and authentic Italian meatballs. Accompanied by luscious photographs that exude the warmth and vibrancy of true Italian dining, this is a slice of real home cooking just like Mama used to make.
A series of pen sketches of eminent people of the 17th century.
Set in any era, Dick Thornburgh’s brilliant career would merit study and retelling. He was the first Republican elected to two successive terms as governor of Pennsylvania. He served in the Department of Justice under five presidents, including three years as attorney general for Presidents Reagan and Bush. As undersecretary- general of the United Nations, he was the highest-ranking American in the organization and a strong voice for reform.
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