Fiction

The Women of the Wood, written by Abraham Merritt in the year 1926, is one of his most popular novels and has been translated into several other languages around the world.

The fox woman; and other stories Abraham Merritt Includes Drone; Fox Woman; Last Poet and the Robots; People of the Pit; Three Lines of Old French; Through the Dragon Glass; When Old Gods Wake; White Road; Women of the Wood We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public.

The Merchants of Venus is presented here in a high quality paperback edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process.

This collection of Willa Cather's stories--her first book of fiction--is as readable and relevant today as when it was first published.

This is a devastating and at times almost exaggerated critique of upper class society. The house and its occupants are ageing and falling apart. The slaughter of the pheasants is an apt metaphor for the privilege and waste of a landowning class which has outlived its purpose in society. And the mindless brutality of the Squire is a comic parody of the military tradition of which he is part.

Mrs. Dalloway introduced them, saying you will like him. The conversa-tion began some minutes before anything was said, for both Mr. Serle and Miss Arming looked at the sky and in both of their minds the sky went on pouring its meaning though very differently, until the presence of Mr. Serle by her side became so distinct to Miss Anning that she could not see the sky, simply, itself, any more, but the sky shored up by the tall body, dark eyes, grey hair, clasped hands, the stern melancholy (but she had been told "falsely melancholy") face of Roderick Serle, and, knowing how foolish it was, she yet felt impelled to say:

"The Searchlight" J. W. GRAHAM. In his Foreword to A Haunted House and Other Stories, Leonard Woolf. describes Virginia Woolf's custom of writing a rough sketch of an idea for a. story or essay, putting it away, and then, possibly years later, taking it out.

Trotting through Deans Yard that afternoon, Prickett Ellis ran straight into Richard Dalloway, or rather, just as they were passing, the covert side glance which each was casting on the other, under his hat, over his shoulder, broadened and burst into recognition; they had not met for twenty years. They had been at school together. And what was Ellis doing? The Bar? Of course, of course — he had followed the case in the papers. But it was impossible to talk here. Wouldn’t he drop in that evening. (They lived in the same old place — just round the corner). One or two people were coming. Joynson perhaps. “An awful swell now,” said Richard.

People should not leave looking-glasses hanging in their rooms any more than they should leave open cheque books or letters confessing some hideous crime. One could not help looking, that summer after-noon, in the long glass that hung outside in the hall.

Woolf was educated by her parents in their literate and well-connected household at 22 Hyde Park Gate, Kensington.

One of the most distinguished critics and innovative authors of the twentieth century, Virginia Woolf published two novels before this collection appeared in 1921. However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character.

Set in the eponymous botanic garden in London on a hot July day, the narrative gives brief glimpses of four groups of people as they pass by a flowerbed.

The feathery-white moon never let the sky grow dark; all night the chest-nut blossoms were white in the green, and dim was the cow-parsley in the meadows.

In the Orchard was written in 1923 – between the composition of Jacob’s Room (1922) and Mrs Dalloway (1925). It was first published in the magazineThe Criterion in April 1923 – edited by he friend and fellow Bloomsbury Group member T.S. Eliot.

Like all the other stories in the Mrs Dalloway’s Party sequence, this is principally a study in social alienation, egoism, and the life of the imagination. It is yet another example of people interacting politely in what appears on the surface to be a civilized manner, whilst the narrative reveals the emotional and intellectual chasms that separate them.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages.

A peculiar short story. Young woman receives asubstantial inheritance from her father, on the condition that she reads all ofthe books in London Library.